The season premiere’s most intriguing bit of dialogue is the exchange between Ben and MonsterLocke, following Jacob’s murder and the slaughter of Ilana’s team. The absurdity of the setting (inside of the four-toed statue) and the somber tone of the discussion create a mood of fantasy and postmodernist dissonance—Waiting for Godot meets Alice in Wonderland. Locke the Smoke Monster tells Ben about the pathetic nature of John Locke’s life and death. His heartbreaking comment about John’s confusion in his final moments makes it seem that this man-monster has nothing but contempt for the “irreparably broken” man. But then he defends Locke: “He was the only one of them that didn’t want to leave. The only one, who realized how pitiful the life he’d left behind actually was.” Now we are in C.S. Lewis /Flannery O’Connor territory. The Smoke Monster’s depiction of the island’s significance illustrates the Christian ideal of the afterlife and man’s reluctance to leave behind worldly attachments. John embraces the mystical, spiritual life and rejects the comforts of his life back home. He readily engages in the work of the soul when others refuse to “let go” as Rose instructs Jack to do on the plane in the alternate universe/flash sideways world.
This Post is courtesy SCS over at http://www.TheSanatorium.com
In particular, this conversation recalls Lewis’s The Great Divorce, a slim fable-like novella published in 1945. The term “divorce” refers to the great chasm that exists between heaven and hell according to many Christian theologians. In the preface, Lewis claims that “if we accept Heaven we shall not be able to retain even the smallest and most intimate souvenirs of Hell” (8). But it is not so much the dualism of monotheism that makes this story comparable to the recent musings found in Lost. Though we know that the island is not purgatory or any kind of afterlife, the tone of the dialogue between the residents of heaven and those of hell/purgatory is identical to not only the Smoke Monster’s monologue, but also to Jacob and “Esau’s” discussion in “The Incident.” Consider a conversation from The Great Divorce between a “spirit” of heaven and an unsuspecting resident of Hell. The spirit is trying to explain to this man where he has been dwelling for so long. “Where do you imagine you’ve been?” asks Dick, the heavenly spirit. “Ah I see,” replies the ghost, “You mean that the grey town…with its field for indefinite progress, is, in a sense, Heaven, if only we have eyes to see it?” The spirit replies, in no uncertain terms, that it is, in fact, Hell, “though if you don’t go back you may call it Purgatory” (36). Maybe the Smoke Monster will be equally revealing about the island’s identity (and that of his own) in forthcoming episodes.
More of this author’s work can be found at lostandlit.wordpress.com and http://www.TheSanatorium.com